{"id":9185,"date":"2021-01-14T09:30:44","date_gmt":"2021-01-14T16:30:44","guid":{"rendered":"https:\/\/myuctv.tv\/?p=9185"},"modified":"2021-01-14T09:30:44","modified_gmt":"2021-01-14T16:30:44","slug":"disruptive-cinema","status":"publish","type":"post","link":"https:\/\/www.myuctv.tv\/blog\/arts-music\/disruptive-cinema\/","title":{"rendered":"Disruptive Cinema"},"content":{"rendered":"<p><a href=\"https:\/\/www.uctv.tv\/subversives\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" src=\"https:\/\/www.uctv.tv\/images\/series\/widescreen\/1141.jpg\" alt=\"\" width=\"300\" height=\"168\" class=\"alignleft\" \/><\/a> &ldquo;Subversive&rdquo; is defined as &ldquo;seeking or intended to subvert an established system or institution; disruptive; inflammatory.&rdquo;  Films may be considered aesthetically or culturally subversive, or both. Subversive cinema has been with us since the silent era; early examples include Griffith&rsquo;s <em>The Birth of a Nation<\/em> (though it wasn&rsquo;t considered subversive at the time), Robert Wiene&rsquo;s <em>The Cabinet of Dr. Caligari<\/em>, Benjamin Christensen&rsquo;s <em>Haxan: Witchcraft Through the Ages<\/em>, and Luis Bu&ntilde;uel&rsquo;s notorious <em>L&rsquo;Age d&rsquo;Or<\/em>, one of the first films to be widely banned (and still banned today in several countries).<\/p>\n<p>Many films deemed as disruptive go on to achieve cult status and garner a fervent following. The topic of subversive or transgressive cinema has also received serious consideration by scholars, most notably in Amos Vogel&rsquo;s seminal study &ldquo;Film as a Subversive Art,&rdquo; which catalogues over 600 films that fit the definition, and the more recent &ldquo;Cult Films&rdquo; by UC San Diego Professor Allan Havis.<\/p>\n<p>Just in time to present an alternative option for streaming, UC Santa Barbara&rsquo;s Carsey-Wolf Center (CWC) is presenting its &ldquo;Subversives&rdquo; discussion series, featuring five films spanning 70 years and three countries.  The slate ranges from Chaplin&rsquo;s much-maligned <em>The Great Dictator<\/em> to <em>Parasite<\/em>, the 2019 winner of the Best Picture Academy Award.  The series begins with <em>Sorry to Bother You<\/em>, a provocative satire of American capitalism and white corporate culture, and also includes television&rsquo;s groundbreaking <em>Pee-Wee&rsquo;s Playhouse<\/em>.  By including Pee-Wee Herman&rsquo;s show, series curator and host Miguel Penabella, a PhD candidate in Film &#038; Media Studies at UCSB, explains that he &ldquo;wanted to imagine a broader, expansive idea of &lsquo;Subversives&rsquo; as well, including films that may be aesthetically or commercially subversive or works that may have generated a cult following,&rdquo; noting that the <em>Playhouse<\/em> fits the bill.<\/p>\n<p>Post-screening discussions include conversations with filmmakers, critics, and film scholars, followed by lively Q&#038;A sessions.  Films examined include:<\/p>\n<p>&bull; <a href=\"https:\/\/www.uctv.tv\/shows\/Subversives-Sorry-to-Bother-You-with-Boots-Riley-36548\">Boots Riley&rsquo;s Sorry to Bother You<\/a> (2018)<br \/>\n&bull; <a href=\"https:\/\/www.uctv.tv\/shows\/Subversives-Parasite-36555\">Bong Joon Ho&rsquo;s Parasite<\/a> (2019)<br \/>\n&bull; <a href=\"https:\/\/www.uctv.tv\/shows\/Subversives-The-Great-Dictator-36601\">Charlie Chaplin&rsquo;s The Great Dictator<\/a> (1942)<br \/>\n&bull; <a href=\"https:\/\/www.uctv.tv\/shows\/Subversives-Pee-wees-Playhouse-36600\">Pee-Wee Herman&rsquo;s Pee-Wee&rsquo;s Playhouse<\/a> (1986-1990)<br \/>\n&bull; <a href=\"https:\/\/www.uctv.tv\/shows\/Subversives-Blood-Quantum-36613\">Jeff Barnaby&rsquo;s Blood Quantum<\/a> (2019)<\/p>\n<p>Browse all programs in <a href=\"https:\/\/www.uctv.tv\/subversives\" target=\"_blank\" rel=\"noopener noreferrer\">Subversives<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&ldquo;Subversive&rdquo; is defined as &ldquo;seeking or intended to subvert an established system or institution; disruptive; inflammatory.&rdquo; Films may be considered aesthetically or culturally subversive, or both. Subversive cinema has been with us since the silent era; early examples include Griffith&rsquo;s The Birth of a Nation (though it wasn&rsquo;t considered subversive at the time), Robert Wiene&rsquo;s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[26,799],"tags":[],"_links":{"self":[{"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/posts\/9185"}],"collection":[{"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/comments?post=9185"}],"version-history":[{"count":0,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/posts\/9185\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/media?parent=9185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/categories?post=9185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/tags?post=9185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}