{"id":7971,"date":"2017-12-25T06:00:53","date_gmt":"2017-12-25T13:00:53","guid":{"rendered":"https:\/\/myuctv.tv\/?p=7971"},"modified":"2017-12-25T06:00:53","modified_gmt":"2017-12-25T13:00:53","slug":"jazz-rules-the-world","status":"publish","type":"post","link":"https:\/\/www.myuctv.tv\/blog\/uctv\/jazz-rules-the-world\/","title":{"rendered":"Jazz Rules the World"},"content":{"rendered":"

Contributed by John Menier<\/em><\/p>\n

\n\"32822\"<\/a>
\nF. Scott Fitzgerald famously called the 1920s the “Jazz Age,” and recent inventions such as radio and phonograph records helped to spread the popularity of two quintessentially American musical genres, jazz and blues, across the country and beyond our borders. In 1926 a Paris-based music magazine began its review of recorded jazz with the observation that \u201cJazz truly rules the world,\u201d and a growing number of influential European composers were jazz fans, including Hindemith, Milhaud, Weill, Honegger, and Poulenc. Maurice Ravel spent several happy nights with George Gershwin at Harlem\u2019s Savoy Ballroom listening to jazz, a testament to the music\u2019s appeal.<\/p>\n

For a time these foreign composers included jazz elements in some of their works, with varying degrees of success, but by the mid-1930s their ardor had cooled as new forms of modernism took hold on the Continent. It was left then to American musicians to continue nurturing the confluence of their native jazz and \u201cserious\u201d music that began in the early 1920s, and they did so brilliantly.<\/p>\n

Three of the foremost practitioners of this hybrid form were George Gershwin, Duke Ellington, and Aaron Copland. Though they came from different backgrounds and training, and each developed a singular musical personality, they shared an interest in elevating the jazz\/classical fusion from a novel experiment to a vibrant art form. They shared another quality, harder to quantify but nevertheless distinctive: their music was unmistakably American, with all that implies.<\/p>\n

This characteristic is perhaps most evident in the Gershwin masterpieces on this program, \u201cAn American in Paris\u201d and \u201cRhapsody in Blue.\u201d In both pieces, the jazz\/blues influences are on prominent display, as the music alternates in mood from contemplative to nostalgic to swaggering, and from Paris to Harlem. Gershwin insisted that both pieces are examples of sonata form, but whether sonata or tone poem or concerto or potpourri, it\u2019s not important how it\u2019s categorized. What matters is that this is fun music, as full of personality as anything you\u2019re likely to hear.<\/p>\n

It\u2019s been said that Duke Ellington embodied the very soul of jazz. Ellington wrote some of the first extended jazz compositions to appear in the concert repertoire, and the two pieces on this program, \u201cMood Indigo\u201d and \u201cSolitude,\u201d amply demonstrate his versatility and sophistication as a composer. Ellington was also an innovative, idiosyncratic orchestrator, and what became known as the \u201cEllington Sound\u201d is a constant feature of his music \u2013 elusive, hard to define, harder still to imitate, but once heard, unmistakable.<\/p>\n

Aaron Copland was a city boy who brought a certain polished urbanity to his work. After extensive studies in Paris Copland initially worked with then-voguish European styles, but gradually his native \u201cAmericanism\u201d emerged and he established himself as the premiere American composer of his generation. \u201cQuiet City\u201d is a mood piece, a tone poem in miniature, originally written for a friend\u2019s play. The play failed but the music lives on as a popular concert selection. The influence of jazz and\/or blues is perhaps less overt in this haunting work than in the Gershwin and Ellington pieces, but it\u2019s there in the tones and phrasings of the featured trumpet and oboe combined with the dotted rhythms of the string orchestra.<\/p>\n

The program is rounded out with an exhilarating premiere work by Asher Tobin Chodos, \u201cConcertino for Two Pianos and Orchestra.\u201d Joining the composer on piano is Cecil Lytle, who also performs on \u201cMood Indigo,\u201d \u201cSolitude,\u201d and \u201cRhapsody in Blue.\u201d <\/p>\n

Watch: Crossing the rue St. Paul – La Jolla Symphony & Chorus<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Contributed by John Menier F. Scott Fitzgerald famously called the 1920s the “Jazz Age,” and recent inventions such as radio and phonograph records helped to spread the popularity of two quintessentially American musical genres, jazz and blues, across the country and beyond our borders. In 1926 a Paris-based music magazine began its review of recorded […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[26,251,88,2],"tags":[445,446,447,448,449,450,451,87,452,453,454,455],"_links":{"self":[{"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/posts\/7971"}],"collection":[{"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/comments?post=7971"}],"version-history":[{"count":0,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/posts\/7971\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/media?parent=7971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/categories?post=7971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/tags?post=7971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}