{"id":7966,"date":"2017-12-15T16:30:29","date_gmt":"2017-12-15T23:30:29","guid":{"rendered":"https:\/\/myuctv.tv\/?p=7966"},"modified":"2017-12-15T16:30:29","modified_gmt":"2017-12-15T23:30:29","slug":"nosferatu-with-werner-herzog","status":"publish","type":"post","link":"https:\/\/www.myuctv.tv\/blog\/arts-music\/nosferatu-with-werner-herzog\/","title":{"rendered":"Nosferatu with Werner Herzog"},"content":{"rendered":"

Contributed by John Menier<\/em><\/p>\n

\n\"32822\"<\/a>\u201cFor such an advanced civilization as ours to be without images that are adequate to it is as serious a defect as being without memory.\u201d
\n\u2015 Werner Herzog<\/em><\/p>\n

The Carsey-Wolf Center at UC Santa Barbara<\/a> has created a series entitled \u201cHollywood Berlin,\u201d featuring screenings and discussions of films by five prominent German directors: Werner Herzog, Fritz Lang, Ernst Lubitsch, F.W. Murnau, and Billy Wilder. With the exception of Herzog these artists are representative of the wave of German exiles and immigrants who left Europe in the 1920s and 1930s to work in Hollywood, and counted among their number producers, directors, actors, writers, technicians, and cinematographers. In addition to their professional expertise that generation of \u00e9migr\u00e9s brought European influences to American cinema, as reflected by film noir, increasing sophistication in comedies, and a willingness to address serious social issues.<\/p>\n

In the inaugural program of \u201cHollywood Berlin\u201d<\/a> celebrated filmmaker Werner Herzog joins Carsey-Wolf Center Director Patrice Petro for a discussion of his film, \u201cNosferatu the Vampyre,\u201d based on F.W. Murnau\u2019s \u201cNosferatu, eine Symphonie des Grauens\u201d (\u201cNoserferatu, a Symphony of Horrors\u201d). Upon the release of Herzog\u2019s film in 1979 many critics expressed surprise at his choice of subject matter. Herzog was already well-known as the auteur of idiosyncratic art-house works based on his original screenplays. Pundits assumed that Herzog\u2019s film was simply a remake of Murnau\u2019s 1922 masterpiece, and they were puzzled. As Herzog explains in this program, that assumption was mistaken; his version of \u201cNosferatu\u201d was intended not as a slavish imitation but as an homage both to Murnau\u2019s film and to a seminal era of German filmmaking. In terms of plot and characters it falls midway between Bram Stoker\u2019s novel \u201cDracula\u201d and Murnau\u2019s \u201cNosferatu\u201d (which was an unauthorized version of Stoker\u2019s novel), incorporating elements of both while adding the director\u2019s well-known pictorial sense. Herzog sees his film as providing an explicit link between his generation, the \u201cNew German Cinema,\u201d and what he calls \u201cour grandfathers,\u201d those movie-makers whose mass exodus left behind a German film industry that was moribund until the advent of Herzog, Fassbinder, Schl\u00f6ndorff, Wenders, von Trotta, et al in the late 1960s and 1970s.<\/p>\n

Using \u201cNosferatu\u201d as a jumping-off point for conversation, Herzog elaborates on a variety of topics including his writing process, his relationships with collaborators, the importance of music, and his philosophy concerning the primacy of the image. He also addresses some of the myths and misconceptions (mythconceptions?) that have arisen from his storied career, most of which cast Herzog as an uncompromising artist who undertakes his projects with a humorless, single-minded zeal bordering on madness. While it\u2019s true that the prolific Herzog is passionate about cinema – he once said that \u201cwe are starved for images, and it\u2019s my duty to provide them\u201d \u2013 he displays a healthy sardonic humor regarding himself and his public image. (\u201cI am not Teutonic. I am Bavarian.\u201d)<\/p>\n

Witty, articulate, intellectually rigorous, and disarmingly honest, Werner Herzog is the perfect introduction to a series celebrating the work of German filmmakers past and present.<\/p>\n

Watch Nosferatu with Werner Herzog<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Contributed by John Menier \u201cFor such an advanced civilization as ours to be without images that are adequate to it is as serious a defect as being without memory.\u201d \u2015 Werner Herzog The Carsey-Wolf Center at UC Santa Barbara has created a series entitled \u201cHollywood Berlin,\u201d featuring screenings and discussions of films by five prominent […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[26,30,64],"tags":[62,441,108,442,443,444],"_links":{"self":[{"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/posts\/7966"}],"collection":[{"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/comments?post=7966"}],"version-history":[{"count":0,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/posts\/7966\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/media?parent=7966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/categories?post=7966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.myuctv.tv\/blog\/wp-json\/wp\/v2\/tags?post=7966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}